
CLICK HERE FOR CJ'S REVIEW OF REVOLVING DOOR
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Beloved Chicago poet, writer, civil rights activist and author of The Passover Poems, Gertrude Rubin passed away on Saturday, July 24, 2010, at the age of 89. Rubin was one of the first contributors to ChicagoPoetry.com, submitting eleven poems for publication in the year 2000 that are archived here. Rubin was a member of the Poets Club of Chicago and the Poets and Patrons group.
Furthermore, there will be a Learn Then Burn Book Release Party on Thursday, July 29, at 7:30 PM, at Hull House Museum, 800 S. Halsted St. Learn Then Burn (Write Bloody Publishing) is an anthology featuring some of the nation's best spoken word poets including National Poetry Slam Champs, World Slam Champs, and Def poets. It is designed for teachers to use in the classroom (no "F" bombs). Performing at the release event will be Kevin Coval, Robbie Q Telfer, Marty McConnell, Dan Sully, Billy Tuggle, Joel Chmara, Sarah Morgan and Tim Stafford. It's free and all ages.
Gregg Shapiro will be reading at The Cafe, 5115 N. Lincoln Ave, on Tuesday, July 27, with open mic, 8:30 PM.
On Friday, August 13, from 6:30 to 9:30 PM, a free event called "poetry and memories in honor of Carlos Cortez's 87th birthday" that will take place at Carlos & Dominguez Fine Arts Gallery, 1538 West Cullerton (near Ashland Avenue & St. Pius Church), with poets and speakers Chris Drew, Raul Nino, Len Dominguez, Rito Martinez, and Carlos Cumpian. Sharing of photos will be available on a pushpin corkboard and copies of Cortez's rare art books and poetry will be for sale.
Finally, I was so busy this summer helping to organize a boycott of the world's biggest polluter that I didn't even notice this year's New City Top 50 list. The performance poetry scene is especially ignored in it this year, but for what it is worth, a list about authors and their books sponsored by a free rag that the lit community is otherwise oblivious to during the other 51 weeks of the year, it is a much better list than we've seen in previous years. I think this might have been the first time a critic, Roger Ebert, received the number one spot. See what you think by clicking here. Perhaps the performance poetry scene ought to start up its own Top 50 list, hmm?
The other big news is that Tara Betts is coming to town. She will feature for Paper Machete, a "live magazine" addressing politics and culture, on Saturday, July 24, from 3 to 5 PM at Ricochets, 4644 N. Lincoln Ave. Then she will be the guest host for the feminist open mic at Music Lounge, 3017 W. Armitage, on Sunday, July 25, from 6 to 10 PM. And finally she will lead a workshop and feature for the POW-WOW series at Jeffrey Pub, 7041 S. Jeffrey Blvd, on Tuesday, July 27, 6:30 to 10 PM. Is the also featuring at the Revolving Door at Red Kiva the next day? That's what I hear.
On Wednesday, July 28, from 9 PM until 1 AM, The Revolving Door Reading Series at Red Kiva, 1108 W. Randolph, will host a Chicago Magazine Pre-Release Party that will also feature poets Tara Betts, Quaraysh Ali Lansana, Bayo Ojikutu, Timothy Yu & much more! It's free.
On Sunday, August 1, from 2 to 4 PM, Woman Made Gallery, 685 N Milwaukee Ave, presents a poetry reading featuring Robin Behn, Lucia Blinn, Kimberly Dixon, Simone Muench, Jennifer K. Sweeney, and Connie Voisine, hosted by Nina Corwin and recorded by Kurt Heintz for WBEZ's Chicago Amplified Series. It's free!
In celebration of the opening of the new Language of Conservation exhibit at Brookfield Zoo, that displays poetry throughout the zoo's new seven acre Great Bear Wilderness, you are invited to a grand tour, followed by an evening of tapas, wine and a poetry reading in the underwater polar bear viewing room featuring CJ Laity, Bonnie T. Summers, Charlie Rossiter and Marilyn Peretti. This promises to be a once in a lifetime poetry event! It happens on Friday, July 30, from 6:30 to 9 PM. Tickets are on sale now for $80, to benefit the zoo, so click here to register or call (708) 688-8355.
On Wednesday, July 21, the Guild Complex will take a step toward enhancing the dialogue and awareness of work coming out of the Latino and African American poetry communities. Palabra Pura, Chicago’s monthly Latino reading series, will initiate Palabra Pura Special Events by occasionally inviting African American poets to share its stage. Palabra Pura Special Events are the brainchild of Francisco Aragón, poet and Director of Letras Latinas at the Institute for Latino Studies at Notre Dame, and Quraysh Ali Lansana, poet and Director of the Gwendolyn Brooks Center for Black Literature & Creative Writing at Chicago State University. The vision is to have writers from these two communities come together to share their work and respond to each other’s work. The Palabra Pura Special Event series will begin on Wednesday, July 21, with acclaimed Latina poet MarÃa Luisa Arroyo reading alongside noted African American poet Roger Bonair-Agard. This month’s reading will be at Décima Musa, 1901 S. Loomis, Chicago. An open mic starts the evening at 7:30 PM; the reading begins at 8 p.m. Admission is free. All ages are welcome.
And finally, this is a big one! It's a big year at the Tennessee Williams / New Orleans Literary Festival as they get ready to celebrate their 25th anniversary and the 100th birthday of Tennessee Williams. They are excited to announce their first ever poetry contest, with Louisiana Poet Laureate Darrell Bourque as judge. The prize is a thousand dollars, a VIP pass worth $500, publication and a featured reading. Click here to learn how to enter.
Beach Poets hosted by Cathleen Schandelmeier happens every Sunday through August 15 at Loyola Beach, Greeleaf and the lake, from 4 to 6 PM. This year is their 20 year anniversary. Some recommended dates include July 4 with Dina Stuart, July 18 with Paul Ryan, July 25 with Andrea Change, and a tribute to Effie Mihopolous on August 8.
Congratulations go out to Tristan Silverman, this year's Guild Complex Gwendolyn Brooks Open Mic Award recipient. The big bout at the Chopin Theatre also featured Lucia Blinn, Billy Tuggle, Sharrieff Muhammad, Robin Fine, Shontay Luna and a bunch of other poets.
On Wednesday, July 7, at 8 PM, Black Rock Bar at 3614 N. Damen will present "I Love My Job; I Hate My Job," curated by Elizabeth Harper, with performances by Rich Experience, Faux Paul, Bob M, Kerry Flory, Allison Gruber, Rebecca Kosick, Sunny Byers and Brian Hurst.
The House on Real Talk Ave, 4520 N. Monticello, presents Derrick C. Brown for one night only on Thursday, July 15, 7:30 PM, with open mic. Derick is known for a moving show that incorporates poetry, minimalist music, and sound fx, Brown is unique for being an outstanding performer but is foremost a page poet. He is the president of Write Bloody Publishing, the first indie press to be reviewed with favor by Forbes magazine. Space is limited to 50 people. Send an email to jwbasilo@gmail.com
On Wednesday, June 9, at 7:30 PM, Danny's Tavern at 1951 West Dickens St, will feature John Beer and Suzanne Buffam. It's free but you have to be at least 21.
After the big lit fest, on Saturday, June 12, at 7 PM, the first installment of the Chicago Poetry Showcase reading series will launch at Cafe Ballou, 939 N. Western Ave. The Chicago Poetry Showcase will take the place of the second Saturday Poetry Cram open mic occasionally, in order to give poets a venue in which they can share more than a few minutes of their work. The June 12 Showcase will feature six poets, reading fifteen minutes each, with no open mic. The featured artists will be: Donna Pecore, Paul Martinez Pompa, GPA from LOEP, Pete Dederick, Udayan Das and Beatriz Badikian-Gartler. The event is free and open to the public.
On Sunday, June 27, the Rhino Poetry Workshop returns to the Evanston Public Library, located at Church and Orrington. This time the workshop leader is Anne Becker, whose topic will be "a Bodily Function: How to make Poem that moves." It goes down from 1:30 to 4:30 PM in Room 108. Bring 15 or more copies (no longer than two pages) of work you want critiqued and a $5 to $10 donation is appreciated.
It has been confirmed. The unimaginable has happened. After 23 years of co-hosting and bartending the Monday night poetry open mic, Sergio Mayora is no longer at Weeds.
It seems The Poetry Center of Chicago has very quietly parted ways with their Executive Director Francesco Levato, and Levato is shrouding himself in just as much mystery over what's going on as he did when he held his job. Today I noticed that on the Poetry Center Staff & Board" page on their website, Johnpaul Higgins is listed as Managing Director. There is no mention of Mr. Levato, not even a mention of the position of "Executive Director" for that matter. I did a Google "cache search" and found that identical page existed as far back as May 10.
"Formerly the Program Facilitator and Development Director for the Poetry Center, [Johnpaul Higgins] has a thorough, working knowledge of the organization and a firm grounding in non-profit fundraising and management," the Poetry Center says of their new Managing Director. Despite this Twilight Zone-ish start, I am going to be optimistic about this apparent news. If this is all true, I view this as a positive move on the Poetry Center's part. Quite frankly, Mr. Levato had a rare opportunity and he blew it. He was in the position to do some great things with his leadership role, but instead he made it all about himself. I have been very outspoken regarding my views about what Levato was up to, and if my frankness helped this changing of the guards to come to be, then I am relieved to have helped. However, the time for criticism seems to be coming to an end. Perhaps now is a good time to show the Poetry Center's new leadership some support. Perhaps it is not too late to fix the Poetry Center of Chicago and bring it back to its former self.
The Poetry Center of Chicago is FINALLY hosting a poetry reading. I hope this is a sign that some improvements will be taking place. The Poetry Center started out 37 years ago, as a reading series and poetry their readings ought to be their first priority. On Thursday, May 27, at 7:30 PM, they will present readings by Simone Muench and Jenny Boully, at the School of the Art Institute Ballroom, 112 S. Michigan Ave.
On Sunday, May 30, at 7 PM, Brenda Cardenas will be reading from Boomerang, her first full collection of poetry, published by Bilingual Review Press. The poetry party, organized by March / Abrazo Press, that will also feature a reading by Roberto Harrison, goes down at a new venue called Dragonlady Lounge, 3188 N. Elston (at Belmont and California). It's free, there will be an open mic, and there will be a cash bar. Brenda Cardenas is also the author of a poetry chapbook, Tongues of Brick and Stones, and she is the co-editor of the women’s anthology Between the Heart and the Land. She is an assistant professor at University of Wisconsin-Milwaukee.
Myopic Books, 1564 N. Milwaukee Ave, has been hosting a lot of readings in their 2nd floor space thanks to Larry Sawyer's skill at finding great authors to feature. On Saturday, May 15, the features will be – Brandon Downing and MacGregor Card; on Sunday, May 16, Daniela Olszewska and Aaron Fagan and on Sunday, May 23, Andy Fitch, Jon Cotner, and David Trinidad. See what I'm talking about. The readings always take place at 7 PM>
At the end of aaaaaaaaaaalice (that's eleven letter "a"s, the same number of poetic chapters in this manuscript), Jennifer Karmin explains that the poems in her book (many of which are collages derived from Alice's Adventures in Wonderland and a book called Beginning Japanese Part 2), described as a "travelogue in 11 cantos," are "word scores for polyvocal improvisation" that are "intended for reading, sound, and performance experiments." The author suggests, "every reading of this text-sound epic should produce new results."
Last year, the Poetry Center took forever to come up with a Juried Reading event, but this year the contest was rushed through like crazy. They only accepted submissions for about two months. To our surprise, they claim to have received nearly 300 submissions in that time, which, if true, means they made a sweet $2000 profit. But for a long time I've felt like the Poetry Center hasn't exactly been honest about their state of affairs, shrouding themselves in secrecy and isolating themselves from the greater poetry scene, so who really knows what is the truth?